Familiar Broadcast Control

Quickly change settings withouttaking the camera off your shoulder!

Interchangeable Lens Mounts

Compatible with EF, PL, B4 and F mount lenses!

Backlit Status Display

See critical shooting information in bright daylight!

Cinematic 4.6K Sensor

Capture incredibledigital film images with15 stops of dynamic range!

When it comes to image quality, URSA Mini Pro 4.6K G2 operates at a higher resolution and dynamic range that is well beyond traditional motion picture film! You get a 4.6K image sensor that captures up to 4608 x 2592 pixels, which is bigger than full size DCI 4K! The sensor features a massive 15 stops of dynamic range and support for up to 3200 ISO, making URSA Mini Pro G2 perfect for high dynamic range (HDR) projects. Built in active refrigeration ensures maximum dynamic range and low noise, so you get incredibly clean pictures with amazing detail in both the dark shadows and bright highlight areas. In addition, URSA Mini Pro 4.6K G2 supports high frame shooting at up to 300 frames per second and even better color fidelity! You can also choose the lower cost URSA Mini 4K model with 12 stops of dynamic range when you don’t need the performance and are on a tighter budget.

Advanced Colorimetry

Super wide color gamutand precision color science!

URSA Mini Pro G2 feature an incredibly wide color gamut that captures more of the visible color spectrum than Rec. 2020, which is vastly larger than the P3 digital cinema color space! Blackmagic Design Generation 4 color science is used to process the raw sensor data, enabling amazingly rich skin tones, natural color response and enormous amounts of dynamic range. Whether you’re shooting a Hollywood blockbuster, an indie film, high end commercial, or a broadcast television show, URSA Mini Pro’s combination of resolution, dynamic range and color gamut delivers amazingly rich and lifelike images!

High Frame Rate Recording

Capture the action at up to 300 frames per second!

URSA Mini Pro 4.6K G2 is a more powerful second generation camera with entirely new electronics and a new high performance image sensor that lets you shoot crystal clear slow motion footage. You can record full sensor 4.6K images up to 120 frames per second, windowed DCI 4K at up to 150 frames per second, and regular windowed 1080 HD at an amazing 300 frames per second. A dedicated off-speed button on the camera’s body lets you quickly switch between your preset high frame rate and regular frame rate shooting! When it comes to high frame rate shooting, URSA Mini Pro 4.6K G2 is ideal for fast action sports, high speed nature photography and more!

Non Stop Recording

Works with bothCFast and SD card media!

URSA Mini Pro G2 features both dual CFast 2.0 recorders and dual UHS‑II SD card recorders so you can choose the media that works best for you. CFast cards are ideal for full resolution Blackmagic RAW 12-bit recording, while SD UHS‑II cards are inexpensive and commonly available, making them perfect for recording Blackmagic RAW 5:1, 8:1 or 12:1 files. URSA Mini Pro 4.6K G2 also features a USB‑C connection so you can connect and record directly to portable SSD drives. Simply choose the media type, insert the cards and start shooting! With dual slots for each media type, you never have to stop recording because when the first card is full, it automatically continues onto the next card. You can even swap the full card for an empty one, all without having to stop recording!

Expansion Port

High speed USB-C connection for direct external recording!

URSA Mini Pro 4.6K G2 features an innovative high speed USB‑C Expansion Port. USB‑C is quickly becoming standard on all modern computers and devices. The massive bandwidth of USB‑C makes it possible to connect external accessories such as flash drives and SSDs for significantly longer recording times. This can be important when shooting high quality lossless 12‑bit Blackmagic RAW or high frame rate 300 fps images. Best of all, when you’re done shooting you can use the same drive for editing and post production!

BlackmagicURSA Mini SSD Recorder

Record onto 2.5 inch SSD media!

The optional Blackmagic URSA Mini SSD Recorder lets you record 12-bit Blackmagic RAW files onto standard 2.5 inch SSD Media with your URSA Mini or URSA Mini Pro cameras! That means you can use commonly available and inexpensive high capacity solid state media! Unlike other types of cards, SSD media is super fast so you can record full resolution 4K and 4.6K 12-bit Blackmagic RAW files. Plus, SSD media comes in much larger sizes so you can record longer without having to change cards! The unique design of the Blackmagic URSA Mini SSD Recorder allows it to attach directly to the back of your URSA Mini or URSA Mini Pro between the camera and the battery. It uses 6G-SDI as a data link to the camera so you don’t have to worry about starting or stopping the SSD recorder. Everything is setup and controlled directly from the camera!

Built in Monitoring

Fold out touch screen for monitoring and camera control!

The built in 4 inch fold out touchscreen on URSA Mini Pro G2 and the 5 inch fold out touchscreen on URSAMini 4K are super bright, high resolution color displays with a wide viewing angle that makes them perfect for monitoring and reviewing shots on set! The screen can also show you a “heads up display” overlay with critical information such as format, frame rate, timecode, ISO and more. You even get a histogram, card recording status indicators and audiometers! The fold out touchscreen lets you use the incredible new URSA Mini operating software so you get super fast access to every camera function, ATEM broadcast switcher integration features for live broadcast, digital slate for metadata management and more!

Advanced URSA Mini Software

Incredibly fast software with revolutionary new user interface!

All URSA Mini cameras feature a new user interface that revolutionizes the way you work! The advanced camera operating software lets you use simple tap and swipe gestures to control all features, setup, the digital slate and more. You get powerful and super fast software with a unique heads up display that puts commonly used functions at your fingertips. Simply touch an on screen icon to make changes for things such as audio levels, white balance, shutter angle and more! You’ll instantly see sliders and controls for making adjustments without ever having to navigate through any menus! The new digital slate makes entering metadata faster than ever before with a built in dictionary, predictive entry and on screen keyboard. Using a professional digital film camera has never been faster!

Bluetooth^® Camera Control

New API lets you create remote camera control apps!

All URSA Mini Pro cameras feature built in Bluetooth that allows you to send and receive commands from up to 30 feet away. Blackmagic Design has also published a new, open protocol and developer API, along with sample code for an iPad app that can control URSA Mini Pro. Now you can create your own remote camera control solutions, digital slate applications, remote color correction software and more! The possibilities are endless and this technology will enable entirely new workflows that were never before possible. Imagine building an app that can jam sync timecode and trigger all cameras to record to their internal media with matching metadata, all at the same time!

Highly Customizable

Flexible enough to be rigged for any production

Blackmagic URSA Mini cameras are completely customizable so you can create a rig that’s built specifically for your production! You can add accessories like the Blackmagic URSA Viewfinder, URSA Studio Viewfinder, URSA Mini Shoulder Kit and URSA Mini Mic Mount, or choose from hundreds of third party accessories. URSA Mini and URSA Mini Pro have 9 standard ¼” threaded mounting points on the top and bottom of the camera so you can mount it directly to a tripod as well as add accessories such as rails, sliders, matte boxes, microphones, ring lights, batteries and more. Whether you’re building a feature film rig or outfitting the camera for an ENG style shoot, URSA Mini has all of the mount points and connections you need!

 

High Resolution Viewfinder

Full HD display and glass optics makes precise focus easy

The optional Blackmagic URSA Viewfinder is designed to be the perfect match for URSA Mini Pro and URSA Mini cameras. You get a high resolution 1920 x 1080 color OLED display matched with precision glass optics, adjustable diopter and built in digital focus chart so you get perfect focus every time. To preserve OLED screen life, there’s a built in sensor so the OLED only turns on when you’re looking through the viewfinder. The Blackmagic URSA Viewfinder is adjustable so it can be used on both the left or the right eye. There’s even a built in record light!

 

Blackmagic URSA Studio Viewfinder

Turn URSA Mini into a true professional studio camera!

The URSA Studio Viewfinder is a true professional viewfinder for URSA Mini Pro and URSA Mini. You get a bright 7” screen with large handles and variable tension pivot points that let you smoothly adjust the viewfinder’s position and angle, even while you’re live on air. The control knobs and buttons give you direct control of settings so you can keep your eye on the action! Combined with the software for URSA Mini, the URSA Studio Viewfinder turns your URSA Mini into the ultimate live production camera! You get support for talkback, tally, and program return, along with remote control of focus, iris, color balance and more, all from your ATEM Switcher!

Learn more about URSA Mini Live Production

 

Professional Connections

Full size, durable connections that work with standard cables

Blackmagic URSA Mini Pro G2 features multiple connections such as 12G‑SDI out, HD-SDI monitoring out, 2 LANC inputs, balanced XLR audio with phantom power, timecode in and reference input. On the front right side of the cameras is a 12 pin Hi-rose control connector for broadcast lenses. There’s also a 4 pin XLR DC output and an HD-SDI monitoring output that are located in the perfect position for connecting an optional viewfinder or on set monitor. The 12G‑SDI output handles all formats up to 2160p60 using a single BNC cable, and also switches to 6G‑SDI or HD‑SDI depending on the shooting format.

 

Advanced 12G‑SDI

Work with all formats up to2160p60 over a single cable!

12G‑SDI is an incredible 8 times faster than regular HD-SDI which makes it fast enough for Ultra HD video at up to 60 frames per second, all over a single regular SDI cable! The high quality BNC connections are multi rate so it can automatically switch and work with 6G‑SDI, 3G‑SDI, and regular HD‑SDI equipment. That means URSA Mini Pro and URSA Mini cameras are compatible with all of your existing HD and Ultra HD equipment so you can plug it into things like ATEM live production switchers, on set monitors, decks and more!

 

Professional Audio

Built in production quality sound recording

URSA Mini Pro G2 has a high quality microphone and professional audio recorder built right in so you don’t have to carry around extra sound equipment! Use the built in stereo microphone to record natural location sound or connect professional microphones using the two XLR wide dynamic range mic inputs. The XLR connections have 48V of switchable phantom power so you can plug in everything from shot gun to wireless clip on mics for capturing every detail of the performance. You can quickly adjust levels using the external knobs and monitor audio using the onscreen audio meters.

 

Digital Slate

Embedded metadata, store location, camera orientation, scene details and more!

The built in touchscreen makes it astonishingly simple to set up and enter metadata for tagging clips. Metadata is saved directly in the video files so you don’t have to worry about managing extra files. You can import the files directly into software like DaVinci Resolve, Final Cut Pro and Avid Media Composer then use the metadata to sort, search and find the clips you need so you can spend more time on creative editing and less time managing mountains of media!

 

Flexible Power

Compatible with industry standard batteries and power

URSA Mini Pro and URSA Mini cameras include a 4-pin XLR industry standard power connector that works with 12V to 20V external power supplies. That means it’s easy to use the camera with all of your existing power supplies and batteries! All URSA cameras use the same battery power connector and mounting points on the rear of the camera so you can use a wide range of battery plates from manufacturers such as IDX, Blueshape, Anton Bauer and more. You can also add the optional Blackmagic URSA VLock Battery Plate or Blackmagic URSA Gold Battery Plate for using popular V‑Mount and Gold Mount batteries.

 

Includes DaVinci Resolve Studio

Professional editing, visual effects,color correction and audio post!

All URSA cameras include a full version of DaVinci Resolve Studio, which is a complete post production solution. You get the world’s most advanced solution that combines professional editing, color correction, audio post and visual effects all in one software tool! DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post production tools to edit native video from your camera and retain every bit of quality. Whether you’re working on major Hollywood feature films, episodic television productions, music videos, commercials or even the latest YouTube shoot, DaVinci Resolve Studio gives you a completely lossless workflow for native editing, color correction, effects, audio and delivery, so your video always looks as good as possible!

Learn more about DaVinci Resolve

 

Optional Shoulder Mount Kit

From tripod to shoulder and back in seconds

URSA Mini cameras include multiple ¼ inch mount points on the bottom so you can attach it directly to any tripod. When you need to quickly move from tripod to handheld and back, the best solution is to use the optional Blackmagic URSA Mini Shoulder Kit. This kit includes the shoulder pad with built in rosettes, rail mounts and integrated quick lock release attachment points for instantly latching onto the quick release plate without removing the shoulder pad. The kit also includes a top handle for carrying the camera and attaching accessories.

 

Blackmagic URSA Mini Pro 4.6K G2

Technical Specifications

Camera Features

Effective Sensor Size

25.34mm x 14.25mm (Super35)

Lens Mount

EF mount included. Interchangeable with optional PL, B4 and F lens mounts.

Lens Control

Electronic control via EF mount pins or 12pin broadcast connector for compatible lenses

Dynamic Range

15 Stops.

Shooting Resolutions

4608 x 2592, 4608 x 1920 (4.6K 2.40:1),4096 x 2304 (4K 16:9),
4096 x 2160 (4K DCI),
3840 x 2160 (Ultra HD),
3072 x 2560 (3K Anamorphic),
2048 x 1152 (2K 16:9),
2048 x 1080 (2K DCI),
1920 x 1080

Frame Rates

Maximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.

High Speed Frame Rates

Blackmagic RAW 8:1

4.6K Full - Up to 120 fps
UHD Windowed - Up to 150 fps
HD Windowed - Up to 300 fps

ProRes 422 HQ

4.6K Full - Up to 80 fps
UHD Windowed - Up to 120 fps
HD Windowed - Up to 240 fps

Built in ND Filters

Four position ND filter wheel with clear, 2-stop, 4-stop and 6-stop ND filters.

Focus

Focus button turns on peaking, auto focus available using compatible lenses.

Iris Control

Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode.

Screen Dimensions

4 inch

Screen Type

LCD capacitive touchscreen.

Metadata Support

Automatically populated lens data from electronic EF, B4 and i/Technology compatible PL lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.

Controls

Touchscreen menus on 4 inch screen. Push buttons for other controls. 2 assignable shortcut keys.

Timecode Clock

Highly accurate timecode clock. Less than 1 frame drift every 8 hours.

 

 

Connections

Total Video Inputs

1 x SDI

Total Video Outputs

1 x SDI, 1 x SDI Monitoring.

SDI Rates

1.5G, 3G, 6G, 12G.

Analog Audio Inputs

2 x XLR analog switchable between mic, line and AES audio. Phantom power support.

Analog Audio Outputs

1 x 3.5mm headphone jack, supports iPhone microphone for talkback.

Reference Inputs

Tri-Sync/Black Burst/Timecode.

Remote Control

2 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses.

Computer Interface

USB Type-C 3.1 Gen 1 for external drive recording and software updates.

 

 

Audio

Microphone

Integrated stereo microphone.

Built in Speaker

1 x mono speaker.

 

 

Standards

SD Video Standards

None.

HD Video Standards

1080p23.98, 1080p24, 1080p25, 1080p29.97,1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50,1080i59.94, 1080i60

Ultra HD Video Standards

2160p23.98, 2160p24, 2160p25, 2160p29.97,2160p30, 2160p50, 2160p59.94, 2160p60

SDI Compliance

SMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1

SDI Audio Sampling

48 kHz and 24 bit

 

 

Media

Media

2 x CFast 2.0 card slots, 2 x SD UHS-II card slots, 1 x USB-C 3.1 Gen 1 expansion port for external media for Blackmagic RAW and ProRes recording.

Please click here for a summary of compatible media.

Media Format

Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems.

 

 

Supported Codecs

Codecs

Blackmagic RAW Constant Bitrate 3:1,
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q5,
Apple ProRes XQ QuickTime,Apple ProRes 444 QuickTime,
Apple ProRes 422 HQ QuickTime,Apple ProRes 422 QuickTime,
Apple ProRes 422 HQ QuickTime,Apple ProRes 422 LT QuickTime and Apple ProRes 422 Proxy QuickTime.

Control

External Control

Blackmagic SDI Control Protocol, iPad control, Bluetooth control, 2 x 2.5mm LANC for lens and record control.

Color Corrector

Color Corrector

DaVinci YRGB.

Talkback and Tally

Talkback

SDI Channels 15/16 and iPhone headset.

Live Tally Indicator

Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder.

Storage Features

Storage Type

2 x CFast 2.0

2 x SD UHS-II cards

1 x high speed USB-C expansion port for external media.

Storage Rates

Storage rates based on 30 frames per second.

 

4608 x 2592

Blackmagic RAW 5:1 - 110 MB/s
Blackmagic RAW 8:1 - 68 MB/s
Blackmagic RAW 12:1 - 46 MB/s
Blackmagic RAW Q0 - 110 to 274 MB/s *
Blackmagic RAW Q5 - 27 to 78 MB/s **
Apple ProRes XQ - 360 MB/s
Apple ProRes 444 - 238 MB/s
Apple ProRes HQ - 158 MB/s
Apple ProRes 422 - 106 MB/s
Apple ProRes LT - 73.5 MB/s
Apple ProRes Proxy - 32.3 MB/s

3840 x 2160

Blackmagic RAW 3:1 - 127 MB/s
Blackmagic RAW 5:1 - 76 MB/s
Blackmagic RAW 8:1 - 48 MB/s
Blackmagic RAW 12:1 - 32 MB/s
Blackmagic RAW Q0 - 76 to 191 MB/s *
Blackmagic RAW Q5 - 19 to 55 MB/s **
Apple ProRes XQ - 250 MB/s
Apple ProRes 444 - 165 MB/s
Apple ProRes HQ - 110 MB/s
Apple ProRes 422 - 73.6 MB/s
Apple ProRes LT - 51 MB/s
Apple ProRes Proxy - 22.4 MB/s

1920 x 1080

Blackmagic RAW 3:1 - 33 MB/s
Blackmagic RAW 5:1 - 20 MB/s
Blackmagic RAW 8:1 - 12 MB/s
Blackmagic RAW 12:1 - 8 MB/s
Blackmagic RAW Q0 - 20 to 49 MB/s *
Blackmagic RAW Q5 - 5 to 14 MB/s **
Apple ProRes XQ - 62.5 MB/s
Apple ProRes 444 - 41.25 MB/s
Apple ProRes HQ - 27.5 MB/s
Apple ProRes 422 - 18.4 MB/s
Apple ProRes LT - 12.75 MB/s
Apple ProRes Proxy - 5.6 MB/s

 

* Constant Quality setting Q0 storage rates quoted are indicative only, based on a 2:1 - 5:1 compression range.

** Constant Quality setting Q5 storage rates quoted are indicative only, based on a 7:1 - 20:1 compression range.

Actual storage rates are entirely dependent on image subject matter.

 

Software

Software Included

URSA Mini Operating System

DaVinci Resolve Studio for Mac and Windows including activation key

Blackmagic Camera Setup

Blackmagic RAW Player

Blackmagic RAW QuickLook Plugin

Blackmagic RAW SDK

 

 

Operating Systems

 

 

 

Mac 10.13 High Sierra, 
Mac 10.14 Mojave or later.

 

 

 

Windows 8.1 or Windows 10.

 

 

Power Requirements

Power Supply

1 x External 12V power supply. 12 pin Molex connector for rear battery plate.

External Power Input

1 x 4 pin XLR port for external power or battery use.

1 x 12 pin molex connector on rear battery plate.

Custom V-mount battery plate with D-tap +12V regulated output from camera.

Power

Rear camera mount compatible with industry standard V-mount or gold mount battery plates.

 

 

Accessories

Optional Accessories

URSA Mini Pro PL, EF, B4 and F Mounts

URSA Mini Pro Shim Kit

URSA Mini Shoulder Kit including top handle and extender arm

URSA Viewfinder

URSA Studio Viewfinder

URSA Mini SSD Recorder

URSA VLock Battery Plate

URSA Gold Battery Plate

URSA Mini Mic Mount

URSA Mini Top Handle

URSA Handgrip

Blackmagic Camera Fiber Converter

 

 

Physical Specifications

 

 

Environmental Specifications

Operating Temperature

0° to 40°C (32° to 104°F)

Storage Temperature

-20° to 45°C (-4° to 113°F)

Relative Humidity

0% to 90% non-condensing

  

What's Included

• Blackmagic URSA Mini Pro 4.6K G2 body
• Turret dust cap
• EF lens mount
• Power supply
• SD card with software and manual
• DaVinci Resolve Studio with activation key

 

Warranty

12 Month Limited Manufacturer's Warranty.