RED DIGITAL CINEMA KOMODO 6K Digital Cinema Camera Battle Tested

Rs. 465,248.00
Key Features:
  • 19.9MP Super35 Global Shutter CMOS
  • Compact, 2.1 lb All-in-One Design
  • Canon RF Lens & ARRI CFast 2.0 Support
  • 16+ Stops Dynamic Range
  • Up to 6K40, 5K48, 4K60 & 2K120 Recording
  • REDCODE RAW HQ/MQ/LQ & Apple ProRes
  • Integrated 2.9" 1440 x 1440 Touchscreen
  • Wireless Control & Preview via Wi-Fi
  • CFast 2.0 Card Slot; RED IPP2 Support
  • EF-to-RF Mechanical Adapter Included

RED has taken fresh steps with the release of the KOMODO 6K Digital Cinema Camera by bringing their legendary image quality and color science into an ultracompact, all-in-one design that weighs just 2.1 lb and measures about 4 x 4 x 4". Key to achieving this goal was the use of the Canon RF lens mount and the KOMODO 19.9MP Super35 CMOS sensor which boasts Global Shutter technology. This sensor can create images with 16+ stops dynamic range and eliminates rolling shutter artifacts. Users can also be certain they are getting RED quality thanks to the ability to record up to 6K at 40 fps, 5K at 48 fps, 4K at 60 fps, and 2K at 120 fps in REDCODE RAW for incredible flexibility in post-production.

All-in-One Design
Revolutionary for RED is the creation of an extremely compact all-in-one design with the KOMODO. This means you can simply pop in a CFast 2.0 card into its media slot and you are ready to roll with data rates up to 280 MB/s. A top 2.9" 1440 x 1440 touchscreen makes it easy to configure and monitor your footage or you can use the RED Control system for using an iOS or Android device for preview and settings. This is possible through integrated 2.4/5 GHz Wi-Fi. Wired control is also possible via the USB Type-C port and optional adapters. The RED KOMODO 6K offers an exceptionally compact form factor that sacrifices nothing in terms of image quality. This base model includes the KOMODO 6K, a 45W AC power adapter, Mini World Travel Adapter Kit, and a Canon RF-to-EF mechanical adapter.
Firmware Update v.1.5.5
  • Fixed playback stuttering at high frame rates, German SLA causing a camera shutdown, and RFB raw metering in 6K full frame
  • Improved LCD sync issues in playback with anamorphic formats
  • Improved general stability
  • The KOMODO 6K features a 6K Super35 19.9MP CMOS sensor with a dynamic range of 16+ stops and a resolution of 6144 x 3160
  • Take advantage of the 6K resolution to capture in 6K full frame or do a 4K or HD crop
  • Use the higher resolution to stabilize your shot in post-production
Global Shutter
The KOMODO 6K's global shutter produces crisp images while reducing motion artifacts.Records fast-moving action the way it should be without blurred or curved lines.Captures every moment, burst, and flash without losing any dynamic range or image quality.

Canon RF Mount
The use of the Canon RF lens mount allows the KOMODO to be extremely compact while still enabling compatibility with a vast range of lenses through the use of optional adapters. The mount will natively support mechanical RF lenses and mechanical EF lenses via the included adapter. Using optional electronic EF-to-RF mount adapters, the KOMODO will even support electronic Canon EF-mount lenses and unlock additional functionality, such as autofocus.

Phase-Detect Autofocus
A first for RED is the ability to use Phase-Detect Autofocus (PDAF) with compatible lenses. This includes adapted Canon EF-mount lenses used with a separately available EF-to-RF adapter with electronic communication. Phase-detect systems are known for their speed by measuring and comparing distance and should provide a reliable, accurate system for video production. Additionally, the touchscreen can be used for quickly changing focus and selecting subjects.

REDCODE RAW
The robust REDCODE RAW file format offers versatility without burdensome storage requirements and editing on many NLE systems without transcoding to save time. The KOMODO promises to be among RED's finest with the ability to capture up to 6K at 40 fps using the powerful 16-bit REDCODE RAW format. RED has simplified compression options, giving users a choice between HQ, MQ, and LQ, each varying compression from low to high, respectively. Having these choices allows users to choose the best option for each shoot and whether to prioritize data rate or image quality. REDCODE RAW is supported for 5K up to 48 fps, 4K up to 60 fps, and 2K up to 120 fps and will deliver the greatest possible flexibility in post-production. Those looking to use a more conventional format can record natively in Apple ProRes 422 HQ and standard 422 with DCI 4K up to 60 fps or DCI 2K up to 120 fps.

CFast Recording
Capture at rates up to 280 MB/s on RED PRO or qualified third-party CFast 2.0 cards.

REDCODE Options
  • HQ is perfect for VFX, extremely detailed scenes, and capturing stills from motion
  • MQ is great for cinema and high-end TV projects
  • LQ is ideal for TV, online content, documentaries, interviews, and long takes
Apple ProRes Formats
For proxy files or quicker turnaround times than raw files, Apple ProRes can be recorded at 4K and 2K resolutions at rates up to 120 fps (2K).

Color Management
Supports 3D LUTs and RED color science.

Integrated 2.9" touchscreen LCD screen for video preview and camera control.

Versatile Power Options
The KOMODO 6K's power options include using two lightweight Canon BP-9 batteries, a larger battery, or an AC power supply.

Technical Specifications:

Lens Mount

Canon RF

Canon EF with Included Adapter

Lens Communication

Yes, with Autofocus Support

Sensor Resolution

Effective: 19.9 Megapixel (6144 x 3240)

Image Sensor

27.03 x 14.26 mm (Super35) CMOS

Image Stabilization

No

Built-In ND Filter

No

Capture Type

Stills & Video

Shutter Type

Electronic Global Shutter

Shutter Type

Electronic Global Shutter

Shutter Speed

1/8000 to 1 Second

ISO Sensitivity Range

250 to 12,800

Shutter Angle

0 to 360°

Advertised Dynamic Range

16 Stops

White Balance

1700 to 10,000K

Internal Recording Modes

REDCODE RAW

6144 x 3240 up to 40 fps [280 Mb/s]

5120 x 2700 up to 48.00 fps [280 Mb/s]

4096 x 2160 up to 59.94 fps [280 Mb/s]

2048 x 1080 up to 120 fps [280 Mb/s]

ProRes 422/ProRes 422 HQ

4096 x 2160 up to 59.94 fps

ProRes 422

2048 x 1080 up to 120 fps

External Recording Modes

4:2:2 10-Bit via SDI/BNC

4096 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps

3840 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps

2048 x 1080 at 23.98/24.00/25/29.97/50/59.94 fps

1920 x 1080p at 23.98/24.00/25/29.97/50/59.94 fps

Recording Sensor Crop

Crops to Output Resolution in All Recording Modes

Built-In Microphone Type

Stereo

Audio Recording

2-Channel 24-Bit 48 kHz

IP Streaming

No

Aspect Ratio

16:9

Media/Memory Card Slot

Single Slot: CFast (CFast 2.0)

Video I/O

1 x BNC (12G-SDI) Output

Audio I/O

1 x 1/8" / 3.5 mm TRS Stereo Microphone Input

Power I/O

1 x LEMO 2-Pin (7 to 17VDC) Input

Other I/O

1 x 9-Pin (Genlock, GPI, RS-232, Timecode)

Wireless

2.4 / 5 GHz Wi-Fi 5 (802.11ac) Video Output, Control

Mobile App Compatible

Yes: Android & iOS

App Name: RED Control

Functionality: Remote Control

Global Positioning (GPS, GLONASS, etc.)

No

Display Type

Fixed Touchscreen LCD

Display Size

2.9"

Resolution

1440 x 1440

Type

Optional, Not Included

Focus Type

Auto and Manual Focus

Focus Mode

Automatic, Manual Focus

Operating Temperature

32 to 104°F / 0 to 40°C

Storage Temperature

-4 to 122°F / -20 to 50°C

Storage Humidity

0 to 85% (Non-Condensing)

Battery Type

Canon BP-9 Series

Power Consumption

45 W

Tripod Mounting Thread

1/4"-20 Female (Bottom)

3/8"-16 Female (Bottom)

Netflix Approved

Yes

Material of Construction

Aluminum

Dimensions (W x H x D)

4 x 4 x 4" / 10.2 x 10.2 x 10.2 cm

Weight

2.1 lb / 1 kg

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